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October 5, 2008
In Memory of My Mom
 Today, I honor the memory of my mother Bev Umehara by posting the article I wrote shortly after her death highlighting
her achievements as an Asian American Union Activist.
When the paramedics brought my mother to UC-California Medical Center on October 2 with
a brain aneurysm, the doctors
said she wouldn’t make it through the night. They didn’t know my mother. She hung on while my sister Tami and I rushed from New York to the hospital, and we were able
to hold her hands when she finally
slipped away. That was our mom, Beverly Umehara, a women warrior holding court even in the last hours of her 53 years of life.
My
mother was a remarkable woman with an indomitable spirit and movie star looks. A social butterfly, she was the embodiment of energy, warmth, and
vitality. Born in San Francisco on December 18, 1945, Bev (as her friends and family called her) was the eldest daughter of Nancy Chang, a beautician and Harry Kai Chong Chang, a merchant seaman.
She grew up very poor in the vibrant SF Chinatown community.
Perhaps the most remarkable thing about her
career was that calling came relatively late in life, at 47, when she made a sudden transformation from a humble, hardworking secretary and mother of four,
into a labor activist, a respected
union leader, and a role model for rank-and-file workers, women of color, and for all Asian Pacific Americans.
I was fortunate enough to sit down with my mother in 1998, to hear
her share the roots of her activist drive: “In 1992, as a secretary and assistant to the head of the California Labor Federation,
I attended a reception announcing
the formation of the first organization of Asian American trade unionists, the Asian Pacific American Labor Alliance, AFL-CIO,” she said. “There was a steering committee
composed of over 40 Asian Americans
of different unions from all over the United States, some rank-and-file, and some in leadership positions within their unions. APALA’s emerging mission was to increase
the number of Asian American leaders
in the labor movement, to advance the rights of immigrants, and to help Asian Pacific Americans who were trying to organize into unions and gain a voice in the workplace. I
didn’t know anything like
this existed and was impressed. I had waited over 20 years for direction like this; I knew I had to be at APALA’s Founding Convention in Washington, D.C.”
Against
all odds she made her way to that convention. She described how enthralling it was for her to be with so many Asian American union activists, like steering committee chair Katie Quan,
a leading organizer of garment
workers; Kent Wong, a brilliant young labor activist at UCLA; Guy Fujimura, Secretary-Treasurer of the powerful International Longshore and Warehouse Union Local in
Hawaii; and Gloria Caoile, a leading
Filipina activist and assistant to the head of AFSCME, a million-member union of government workers.
Bev returned to SF committed to APALA’s
agenda, and helped establish the San Francisco chapter of APALA where she was elected Chapter Secretary. She told me her knees were knocking when she made
her first speech to the California
Workers Assistant Program, but her passion drove her on, pushing her to continue to take on leadership roles.
In 1995, she was elected
to APALA’s National Executive Board, and was appointed as president of the San Francisco Chapter. As president, she led the San Francisco Chapter of APALA in
forming lasting community-labor
coalitions that worked against anti-labor, anti-affirmative action and anti-immigrant ballot initiatives on the California ballot. Under her leadership, the chapter recruited
new Asian Pacific American union
organizers, assisted workers seeking to form unions, participated in local community struggles, and engaged in non-partisan voter registration and “get out the vote”
efforts.
Her colleagues on the National Executive Board were aware of Bev’s powerful work, and her evolution as a leader.
At the APALA national convention in August, 1999, she was awarded the ART Takei Leadership Award, named after the pioneering Nisei activist
who first became a union organizer
in the 1950’s after learning about injustice in the internment camps.
As she stepped up to the podium to accept the
award, she held the audience spellbound
as she spoke from the heart saying, “I believe that I am currently living the vision. While growing up as a third-generation Chinese American, Chinese daughters
were not taught to have vision.
This award is proof that progress has been made. Not only am I a woman but I am an Asian American woman activist, and proud of it!”
Chatting with U.S. Representative Patsy Mink at the end of the evening, the congresswoman told my mother she should run for office; that she had what it took to be a true leader. I believe that Congresswoman
Mink was right: whatever the future would
have held for my mother, it would have been bright. And it would have involved workers, especially immigrants, who are exploited in the workplace. I have lost my
mother but she enriched so many
lives that the Asian American community and the labor movement lost one of its leading voices and spirits.
(Originally published in the March, 2000 edition of A Magazine.)
4:59 pm edt
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| Andre De Shields in Mine Eyes Have Seen the Glory: From Douglass to Deliverance © Lia Chang |
Click here for my interview with Andre.
Click here for MINE EYES production photos.
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Lia Chang is an
actor, performance and fine art botanical photographer and an award-winning multimedia journalist. Lia’s portraits and
performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, VIBE, TV
Guide, Daily Variety, Interior Design, American Theatre, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com,
Playbill.com, Theatermania.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and
Washington Post. A former syndicated
arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about
culture, style and Asian American issues for a variety of publications and her Backstage Pass with Lia Chang blog. As a photographer and videographer, Lia is frequently tapped to collaborate with artists, organizations
and companies in establishing their documentary photo archive. She has been documenting her colleagues and contemporaries
in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert
Goulet and Barbara Eden.

LaMaMa e.t.c. presents Alfred Preisser and Randy Weiner’s CALIGULA MAXIMUS, a project with Hammerstein
& Weiner, LLC, Christopher McElroen, Alfred Preisser and Kingsize, USA, at La MaMa’s Ellen Stewart Theatre,
March 12-April 10. Click here to read about the show. Join CALIGULA MAXIMUS on Facebook and Twitter.
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